To tell the story of Krink, the world’s  quickest growing art supply  line, you need to hear the story of KR: a  terrible art student, a  semi-successful vandal, and an entrepreneur who  learned everything the  hard way.
KR grew up in Queens in the ‘80s  surrounded by graffiti writers,  skaters, punks and B-boys. Graf was a  part of the attitude as much as it  was the landscape. Everything was  very DIY: steal paint, illegal spots,  make markers, emphasize your  style, experiment with multiple tools and  methods. A lot of it was also  based in economy (or lack thereof):  sharing and stealing were simply a  necessary part of the creative  process.
In the late ‘80s, graf on trains died  and the art spilled out onto the  streets and highways. Writers became  more mobile and so styles and tools  changed accordingly. Homemade  markers that had been the norm were too  messy to carry and homemade  inks faded in the sun. Pilot-brand silver  paint markers became the tool  of the trade yet in many ways couldn’t  meet this new generation of  artist’s very specific needs.
In the early ‘90s KR moved to San  Francisco. The scene he found there  was thriving, yet different. Most  writing took place in parking lots  and specified spots. He arrived with  a whole different attitude  regarding materials and styles. Ignoring  designated areas, he used the  streets of SF as his very own research  and development lab,  experimenting with a lot of different tools and  techniques to create  bigger, drippy marker tags. He also began making  his own inks, allowing  him to get up bigger, bolder and, now armed with  an endless supply of  ink, much, much more.
From these trials and errors, KR’s ink,  or Krink, was created. He  shared his concoction with a few friends and  soon it’s silver markings  dominated the city.
In 1998 KR returned to NY and brought  Krink back with him. Before  long, it’s signature style was covering the  streets of NY as well. This  was around the same time writers began  realizing they didn’t need to  trade in their lifestyle in order to make  a living. The Alife store had  just opened and was quickly becoming a  Mecca for street art. They told  KR that if he would bottle and sell  Krink, people would buy it and they  offered to help: it was more of a  creative project than a business plan,  something to work on  collaboratively. It sold and people liked it and  it just kept growing  from there.
Fast-forward to today and Krink products  are shipping daily from a  headquarters in Brooklyn to everywhere from  CA to Moscow to Bangkok. The  product line has grown to offer a number  of different markers and inks  that are unique to the market in their  style, history and quality. And  when the collaboration feels right,  Krink continues to create  limited-edition products with like-minded  companies like Nike, Incase  and Kidrobot. The trademark paint drip  aesthetic has found its way into  art and design becoming a standard for  street-inspired artists on a  global level.
It’s been 15 years and what started as a  product created to fit the  specific needs of graffiti writers has  grown into a product line with a  range of creative tools for creative  thinkers. Watch closely over the  next 15 as Krink continues to build  its name as the premier art supply  line for a new generation of  artists.
 




 





